A cyclist swerves around the group
A rider in a shared lane swerves around a group standing across it and comes off. A passer-by hurt because of where your group stood can claim against you, not only your paying guests.

TOUR OPERATOR INSURANCE
Narrow laneways, delivery vans, a mural on someone else's wall and, sometimes, a can of spray paint in a guest's hand. Here is how street art tour cover fits together.
Premiums and outcomes described are specific to this client and indicative only. Your own terms will depend on your circumstances and the insurer.
THE SHORT ANSWER
What insurance does a street art tour business need?
A street art tour operator generally needs public liability for injury to guests and passers-by in laneways and for damage to other people's property, plus professional indemnity for booking and advice errors. Laneways put a group in the path of delivery vans, cyclists and bins, with little room to stand back. The bigger underwriting change comes if guests paint. A spray-paint or stencil workshop adds the paint you supply as a product, overspray onto cars or shopfronts, and the question of whose wall it is. Painting should only happen on walls where you hold the owner's or council's written permission, because public liability on the tour operator policies we arrange responds to accidents, not deliberate damage.
Street art tours are among the tour types the specialist markets we approach are set up to quote, subject to each insurer's assessment. Tell the underwriter about workshops before you add them. General information only. It doesn't take into account your objectives, financial situation or needs, and it isn't legal advice.
A rider in a shared lane swerves around a group standing across it and comes off. A passer-by hurt because of where your group stood can claim against you, not only your paying guests.
Bins, drains, broken cobbles and grease outside restaurant back doors. If the claim says your guide led the group over a hazard they could see, it becomes a public liability claim against you.
During a workshop, paint drifts onto a car, a shopfront or a neighbour's wall. Accidental damage to someone else's property is public liability, subject to the excess.
A guest has a skin or eye reaction to paint you supplied, or gets paint in their eye without the goggles you should have handed out. Paint you supply is a product, which brings products liability into play.
A piece you advertised has been painted over, or a lane is closed for works, and a corporate group says the tour wasn't what they paid for. Advertising liability doesn't cover a tour that failed to match its advertised quality, and PI doesn't refund the tour price.
| Situation | Cover that may respond | What to know |
|---|---|---|
| Guest trips in a laneway during the tour | Public liability | Can respond to your legal liability, subject to the wording and schedule. Route choice and where you stop the group are the controls. |
| A passer-by is hurt because of where your group was standing | Public liability | Can respond to injury to members of the public as well as guests. See public liability for tour operators. |
| Paint from a workshop damages a car or shopfront | Public liability | Accidental damage to someone else's property. Excess applies. One wording we place sets it at $1,000, and yours may differ. |
| Guest is hurt by paint you supplied in a workshop | Public liability (products) | Paint you supply to guests is a product. Tell the underwriter what you supply and what safety gear you hand out. |
| Your workshop paints a wall you have no permission to use | Not insured | Damage you intended or expected isn't an accident from your side. Only paint on walls with written permission from the owner or council. |
| A contract artist runs the workshop and a guest is hurt | Public liability (your liability for contractors) | Can respond to your liability, not the artist's. Check the artist holds their own liability cover, at least $10 million in Australia on at least one wording we place. See contract guides and suppliers. |
If you list a street art experience on a marketplace, read what its own cover does. As at October 2026, Airbnb says its Experiences liability insurance, for the amount Airbnb states, responds only above the host's own insurance, and that hosts must maintain liability insurance appropriate for their business. It is not a substitute for your own policy. Our guide to booking platform insurance requirements compares the platforms.
Public liability on the tour operator policies we arrange responds to accidents. Painting on a wall without the owner's or council's permission is deliberate, and those policies generally exclude fines and penalties from public liability too.
E-bikes, Segways and scooters are excluded on at least one specialist wording we place. A wheeled street art tour may need a different market.
Spray cans, stencils, ladders and a projector are your own property. Theft of or damage to your gear needs a property or equipment policy, not liability.
Aircraft of any kind, including drones, are excluded on at least one specialist wording we place. CASA's rules also say not to fly in a populous area or within 30 metres of other people, which rules out a flight over a group in a laneway. Aerial shots of a mural need drone liability cover and a flight that fits those rules.
At least one specialist tour operator wording we place excludes injury from a list of adventure activities, including horse riding, e-bikes and Segways, surfing and scuba diving, and white water rafting. See the adventure activities excluded on one wording we place, grouped, and check the endorsement on your own schedule.
The walk. Laneways are shared space. Delivery vans, cyclists, scooters and restaurant staff use them while your group stands looking up at a wall. Choose stopping points where the group can stand clear, put a guide at the back in narrow lanes, and keep the group small enough to fit. Those are the controls the underwriter asks about, and your evidence if a guest or passer-by is hurt.
Whose laneway it is. A laneway can be council land or private land, so find out which before you plan a stop, and ask the council or the owner what it needs. As at October 2026, the City of Melbourne asks anyone applying for a permit to run an activity in municipal public space for at least $20 million public liability, with the City named as an interested party. The pages we read don't say whether a tour that only walks through laneways needs a permit, so put the question to the City before you launch. Our permit insurance requirements guide lists what other councils publish.
The workshop. When your tour supplies spray paint, stencils or markers for guests to use, that material is a product, which brings products liability into play if it harms someone. Hand out gloves, masks and eye protection, brief guests on how to use the cans, and keep the work area clear of cars and shopfronts. If the workshop runs in a hired studio, tell the underwriter, because a space you hire is treated differently from a public wall.
Whose wall it is. Guests should only paint on walls where you hold written permission from the owner or the council, and that permission should sit with the booking. Public liability on the tour operator policies we arrange is built around unexpected, unintended events. Paint on a wall you had no right to use isn't that, and any fine or clean-up bill that follows sits with you. If a contract artist runs the session, collect their certificate of currency at the start and each year.
School and youth groups. Workshops for schools bring the school's rules with them. As at October 2026, WA public schools must confirm an external provider holds $20 million public liability, and Victorian government schools ask for a certificate of at least $10 million from an APRA-approved insurer plus Working with Children Checks for provider adults in direct contact with students. Both departments tell schools to refuse waivers that release a provider from its own negligence, so a waiver you rely on with adult guests won't carry into a school booking.
| Who asks | What they ask for | What to know |
|---|---|---|
| City of Melbourne (permits for activities in municipal public space, including laneways) | At least $20 million for a single claim, in the applicant's name, with the City of Melbourne named as an interested party, from an APRA-authorised insurer | Whether a walking tour that only uses laneways and footpaths needs a permit is not stated on the pages we read. Ask the City, and ask separately about any live painting. |
| Education departments (school and youth workshops) | WA: $20 million public liability and, if appropriate, $5 million professional liability. Victoria: at least $10 million from an APRA-approved insurer, plus Working with Children Checks | Schools in both states are told to refuse waivers that release a provider from its own negligence. |
| Airbnb Experiences | Hosts must maintain liability insurance appropriate for their business and may be asked for proof. Airbnb's own Experiences liability insurance, for the amount Airbnb states, sits above the host's own cover | The platform's cover is not a replacement for your own policy. Read what it excludes before you rely on it. |
| Viator (supplier agreement, August 2026) | Valid public liability insurance as a mandatory baseline, with Viator setting the minimum by activity risk and destination | Expired or insufficient documents freeze new sales. Existing bookings must still be honoured. |
| GetYourGuide (supplier terms) | No dollar figure. Occurrence-based, primary and non-contributory cover, with a waiver of recovery rights against the platform and cover for subcontractors | A contract artist is a subcontractor under these terms. On at least one specialist wording we place, the waiver needs the insurer's prior consent. |
Walk each route at the time of day you run it and mark where a group can stand clear of vehicles, bikes and back doors. Put a guide or a nominated guest at the back in narrow lanes, and cap the group at what the tightest stop can hold.
Keep the owner's or council's written permission for every wall guests paint on, with the dates it covers, and carry a copy on the day. No permission, no painting. Deliberate painting on someone else's wall is not an accident that public liability on the tour operator policies we arrange responds to.
Hand out gloves, masks and eye protection before any can is opened, show guests how to hold and point the can, and set the work area back from cars, shopfronts and passers-by. Keep the product safety information for the paint you supply.
If you run workshops for schools or young people, check whether the work is child-related in that state and keep each artist's and guide's check current. As at October 2026 a check is valid for 5 years in NSW and Victoria and 3 years in WA.
At least one specialist wording we place requires reasonable steps to make sure contractors hold their own liability cover, at least $10 million in Australia. Collect each artist's certificate of currency at the start and every year, and keep the date you checked it.
Carry a first aid kit that includes eye wash on workshop days. Quality Tourism Accreditation requires at least one staff member trained in first aid to be available during operations. Log every incident and near miss, including complaints from residents and traders.
We've found tour operator public liability hard to place on its own in the past, and PI and public liability often had to be split across insurers. We approach several specialist insurers and underwriting agencies. Some write PI and public liability together, others write one or the other, and we put the cover together to suit the tours you run, for tour operators and for travel agents that run their own tours, subject to each insurer's assessment.
We don't publish a separate price for street art tours. As a general guide, across the tour types the markets we approach are set up to quote, subject to each insurer's assessment, combined PI and public liability for a small tour operator costs approximately $1,200 to $1,800 a year including fees. As at October 2026. Your price depends on the activities, destinations, revenue, limits and claims history, and it can fall outside that range. It is not a quote. See what drives the premium.
A placement from September 2026. A new NSW-based cultural tour operator designs immersive programs for groups visiting Australia and for Australian groups visiting Asia, with local tour companies running the coaches and accommodation. It needed a certificate of currency urgently. Result: $20 million public liability and $1 million professional indemnity on one combined policy, worldwide territory excluding US jurisdiction, placed the same week on that occasion at approximately $1,850 including fees. This is one past placement, not a quote. Your price and terms depend on your risk. Read the case study.
Sources referred to on this page
FREQUENTLY ASKED QUESTIONS
RELATED GUIDES
QUOTE REQUEST
Tell us the tours you run, where they go, group sizes, who supplies transport and venues, your annual revenue, and the limit you need on your certificate.
Send us your tour descriptions and itinerary, and we will take them to the specialist markets that write tour operators and come back to you with the options available.
Last updated: 01/10/2026